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Map updates are paused. Zoom in to see updated info. Updating Map TripAdvisor LLC is not responsible for content on external web sites. Taxes, fees not included for deals content. About Us Help Center. Opera: Passion, Power and Politics is devoted to a richly complex passage in European cultural history.
Dramatically lit, boldly theatrical and graphically vivid, the displays look very fine and visitors will certainly get a superficial eyeful for their money. From the start, there is something fundamentally unresolved about the concept. Opera is primarily an aural art form, based distinctively on the expressivity of the singing voice. It can exist without sets and costumes, without words, and even without musical instruments, but, without singing, it is by definition not opera. The exhibition struggles a bit with this inconvenient truth: we are offered headphones that provide a running and rousing soundtrack of greatest hits, but it feels odd to have the element of music made optional and peripheral to the experience.
I nstead, the organising principle is geographical. How do you depict those abstractions? A theme of which the exhibition seems strangely unaware is that of the remarkable role that women have played in the development of opera. Opera singing was one of the first professions open to talented and independent women, several of whom enjoyed path-breaking international careers two centuries before any female doctors or lawyers were licensed.
So the level of intellectual ambition is not pitched high: the exhibition presents itself as an introduction to the world of opera, geared to the uninitiated and unafraid to state the obvious. From that perfectly respectable starting point, how much is there to be readily enjoyed? P erhaps the obvious star items are a working reproduction, almost life-size, of a deep-perspective baroque opera set, and a giant wall filled with a hundred and fifty photographs of Italian opera house interiors, photographed by Matthias Schaller.
Apart from these, not much dazzles.